Wednesday, March 13, 2019

History of Musical Films Essay

By 1928, Hollywood was invaded by sound theater. placid word-paintings made an honorable exit. Vaudeville was besides being wiped out. It signaled a phenomenon Tinseltown was not quite prepared for. It was the time of sound facilities and infrastructures. Later on Broadway composers were leased to write screen melodiouss ( narrative of Musical dissipate, 2004). The early word-painting to make a transition from silent film to sound was Warner Bros. 1927 The wind instrument Singer starring Al Jolson who mostly did the singing in the exposure (Musical motion-picture show, 2006).One MGM musical hit opened the doors to the musical film genre. This was the 1929 Broadway Melody with a score by Nacio Herb cook and Arthur Freed. The story was about two sisters fighting over their love of a song and dance man. It cost $379,000. 00 and grossed for $1. 6 zillion in its first release. Its title tune is You Were Meant for Me. It was the first sound film to win an academy Award for Best Picture. MGMs production chief Irving Thalberg was credited for obstetrical delivery in a string of musical hits since Broadway Melody. (History of Musical Film 1927-1930 Part II, 2004).Love Parade from Paramount followed on the analogous year by silent screen director Ernst Lubitch. It is a tripping operetta inspired by Broadway to fit the screen starring ternary Jean Macdonald as a young royalty and Maurice Chevalier as the French playboy diplomat. (History of Musical Film 1927-1930 Part II, 2004). The 1930s, forties, and fifties were considered the golden age of musical films. Following are whatever of the popular musical films Hollywood Revue of 1929 with Joan Crawford from MGM, Cecil B. Demilles Madam deuce (1930). 932 mid-Depression saw the making of Love Me Tonight, a collaboration of Richard Rogers, Lorenz stag, and director Rouben Mamoulian. Rogers and Hart continued with Hallelujah, Im a Bum (1933) with Al Jolson. (History of Musical Film 1930s Part I, 2003). Forty fleck Street by dance Broadway director Busby Berkeley choreographed the dance sequences bandage composer Harry Warren and lyricist Al Dublin created the score. It was a million dollar hit for a $400,000 production. It was followed by Footlight Parade (1933), The Gold Diggers (1933) and Hollywood Hotel (1937). History of Musical Film 1930s Part II 2004). Fred Astaire and peppiness Rogers entered the musical scene in 1933 through Flying Down to Rio, The light Divorcee (1934), Top Hat (1935) with a score by Irving Berlin. It was also the time of Shirley Temple in movies such as Stand Up and Cheer (1934), The Little Colonel (1935), among others. Disney produced Fantasia (1940). MGM revived its musical genre with the release of The fantastic Widow (1934) (History of Musical Film 1930s Part IV 2004). The 1940s saw Warner Brothers Yankee Doodle Dandy (1942) with James Cagney in his Oscar-winning performance.Then independent producer Samuel Goldwyn found Danny Kaye and made Up i n Arms (1944, Wonder Man (1945), among others. It was also the time of Bing Crosby (Road Series, Going My Way, pass Inn) and Bob Hope (History of Musical Film Screen 1940s Part I 2003). Judy Garland starred in Little Nellie Kelly (1940), Ziegfeld little girl (1941), Meet Me in St. Louis (1944) directed by Vincente Minneli, her future husband. She appeared in xvi MGM musicals. Gene Kelley also was a big MGM star in musical movies like For Me and My Gal (1942), On the Town (1949), among others (History of Musical Film 1940s Part III 2004).The 1950s was the decline of the musical film genre and the emergence of television. Some of the musicals produced from 20th Century Fox were Richard Rodgers & Oscar Hammerstein IIs. Oklahoma (1955), Carousel (1956), King and I (1956). South Pacific (1958). Warner Brothers released or so Doris Day films, Love Me or Leave Me (1955), The Pajama Game (1957). Paramount produced What Christmas (1954) turn Walt Disney released musical animations such as Cinderella, Alice in Wonderland, Peter Pan, Sleeping Beauty. MGM released osculation Me Kate (1953) and High Society (1956) (History of Musical Film Screen 1950s, 2003).

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