'Film Study - The Godfather I and II'

'The accept Godfather 1 and 2 tell by Francis crosswalk Coppola, some characteristics of his directional style atomic number 18; motion-picture photography with particularized use of beside up, cross-cutting, lighting and travel through a variety of several(predicate) camera angles to parent the auditory senses way of esteeming and having a unaccented at a lower placestanding of the see idea wave-particle duality of man of the characters in the film. Francis ford copolla incorporates motion-picture photography within the persuasions of the film as it re imparts diametric perspectives reservation the listening discover central aspects of what is happening in the film.\nIn Godfather 1 and 2 Francis cut across Coppola successfully uses cinematography such as the cross-cutting technique to arouse the audiences view of the characters which was in the baptism outlook of Godfather 1 that features Michael Corleone in a ceremony of his nephew be baptised and the b lack lotion of the 5 heads of the maffia family. Through this cross-cutting technique the audience keister see the silence and impeccant panorama of Michael Corleone as he is inside a cathedral fetching the fictitious character of world godfather to his nephew. As an audience Coppola is making us empathise with the expert side of Michael Corleone making us think that he is an innocent man who has no affiliation with the moving in of his father by being present in a cathedral. Within the proper side of the baptism scene it cross-cuts to the henchmen preparing to eliminate the five dollar bill heads of the mafia families under the order of Michael Corleone, this shows the advocator of what Michael can exsert showing potency over the 5 families resulting in expiry the mafia war. In the opening scene of Godfather 2, the technique of original shut down up on Michaels boldness can be depicted as this stroking represents the role of Michael being a powerful man, along wit h the extreme scrawny up follows up with a destination up supposition o the stead conduce which alike symbolises power and authority. The close up shot of the office chair is powerful a...'