Present a detailed textual analysis a the short (2-3 minute) film extract from 'Casablanca'.

During this essay, I will be given through the scene in Casablanca chronologically, whilst detailing the editing, sound and mise-en-scene, and analysing how they sham the viewers reading of the scene. Throughout the scene, the room is pallidly lit, and there are a lot of shadows - both on the calculates of wrestle and Ilsa, and on the walls goat the characters. Many of the shadows, especially puke wrick, are cast from exotic looking objects. This connotes the multicultural nerve of Rick. He is a humans who has travelled around a lot, and happenms to have rarely colonised enough to call anywhere home. There are lots of structures at bottom the room, and many horizontal and goodish lines - especially at bottom the shadows and on the blinds and slated doors. The horizontal lines feature by and large when Ilsa is in shot, possibly suggesting the wear emotions she has over what she is feeling. The scene begins with Rick coming to the top of a set of stairs within his cafe. It is silent, with the only sound cosmos his diegetic footsteps. It is also dark and shadowy. Rick comes to a door, and the tv tv camera cuts to the other side of the door as we check him open it and inaugurate the room.

He reaches to his left to disco biscuit on the lamp, which only partially brightens the dark space. The non-diegetic music, which will move throughout the scene, starts as he looks ahead and sees Ilsa. As Rick looks up, the camera sweeps across the room in the direction of his eye line, and we see Isla stand by the windowpane and turning towards Rick, with horizontal shadows of the blinds across her. The camera then makes a sharp cut to a tightlipped up of her face and shoulders, which makes the... If you want to get a ample essay, order it on our website: Ordercustompaper.com

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